December 2008

Catalogue for the exhibition Order and dissent, which investigates the dialogue and debate generated by the originality, diversity and non-conformity of a selection of works from the Heide Collection.

The catalogue cover illustrates this debate by using the traditional embellishing technique of flocking on a contemporary san serif typeface.

The exhibition, curated by Kendrah Morgan, features work from the 1930s to the present day, artists represented include: Sam Atyeo, Moya Dyring, Sidney Nolan, Albert Tucker, Joy Hester, John Perceval, Arthur Boyd, Howard Arkley, Charles Blackman, Peter Booth, Mike Brown, Richard Larter, Sweeney Reed, Wolfgang Sievers and Jenny Watson. The exhibition is at Heide Museum of Modern Art until 1 March 2009.

A major brand redevelopment for DTAC who design, manufacture and install the highest quality tactile indicators in Australia and lead the world in tactile innovation. Over the last 18 months all aspects of DTAC’s brand communication has been updated, culminating in the launch of their new website which is a powerful tool and resource for all specifiers and users of tactile indicators.

Having established a new identity for the gallery back in 1999, ten years on the identity did not need to be redesigned, rather an update of the framework that it sits within. A bolder, typographic approach and wider colour palette has been introduced along with an approach to folding the gallery’s printed communications and publications facilitated in a cost neutral manner by the recruitment of Adam’s Print as an annual print partner.

A series of National Award certificates for newly named Australian Institute of Architects (formerly Royal Australian Institute of Architects). The awards have three tiers of classification, Named Awards, National Awards and National Commendations, which needed to be differentiated from one another while remaining part of the same family.